Friday, August 30, 2013

The Art Of Making Futomaki-zushi

"I'm not making art, 
I'm making sushi." 
Masaharu Morimoto
 Japanese Iron Chef


Being appointed as the ambassadors of Chiba Kun, it is not all about touring around the popular spots around Chiba Prefecture to promote the prefecture to the world. The Chiba Kun Ambassadors were recently given an opportunity to experience something different - sushi-making. Well, the Japanese call it futomaki, to be exact.

Chiba Prefecture has a long history of cuisine based on delicious fresh seafood. One of Chiba's most representative traditional food is futomaki-zushi (太巻き寿司). These unique and colorful sushi rolls, which is commonly made for special occasions and festivals since old times, are another form of traditional culture that is passed down through the ages. 

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The sensei line-up, headed by Ryuzaki sensei (far right), who will teach us how to make futomaki-zushi.

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Ryuzaki sensei, showing us the packet of Susshi (すっし〜), which is used to make the rice pink in colour.

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Some of the books that were written by Ryuzaki sensei. (source taken from here) . 

Futomaki is a type of rolled sushi that is distinguished for its large size and careful balance of ingredients. Most people, especially the non-Japanese probably have the image of sushi as rice cubes topped with raw fish. However, they might be surprised by the care and artistry that goes into these rolls of futomaki. They are usually filled with different coloured vegetables and may not even contain fish at all. Chef design futomaki to be both delicious and pleasing to the eye, and they often choose ingredients for how well they balance with each other in taste and looks.

The word "futomaki" is Japanese for "fat roll", and this name could not be more appropriate. Futomaki rolls are usually 4 centimeters in diameter if not larger, and are made up of three main parts. The outside "casing" or "shell" of the roll is traditionally a thin sheet of nori seaweed, which is basically seaweed that has been pressed and dried into a thin but flexible rectangle. Soy paper or thin cooked egg can be used in rare instances. The inside is made up of both sushi rice and chosen fillings.

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Ryuzaki sensei explaining the two types of sushi mats made of bamboo.

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Before we start making our own sushi, we were given a demonstration. First up was the rose motif.

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Pink rice and sweetened red capsicums were used for the petals part.

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Thin eggs complete the petal part, which thinly sliced cucumber were used for the stalk.

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And here you go, the final result - rose.

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A closer look at the roses. They look like rose, but taste like sushi hahaha!

Sushi rice is a special variety of short-grained, sticky rice. When it is used in rolls, it is usually seasoned with a bit of mirin, a rice vinegar, and may also be salted in order to help it stick together and adhere to the other ingredients. These "other ingredients" are where the sushi chefs have the most flexibility. Vegetables are common choices, particularly cucumber, carrot, and mushroom; cooked seafood such as crab or eel may also be used. Some rolls feature raw fish, but not often.

This time, the Chiba Kun Ambassadors were so lucky to have the opportunity to be taught by a group of seven members from Chiba Traditional Regional Cuisine Research Group (千葉伝統郷土料理研究会), who had experience giving classes of sushi-making in many countries abroad, to show us how to make futomaki. The lesson was headed by Eiko Ryuzaki-sensei (龍﨑英子) who has traveled to every parts of the country to learn the art of sushi-making from the local farmers. 

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Next, we were shown the method to make peach flower motif. First was to prepare the petals part.

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After the petals were arranged in a circle, boiled spinach were placed in between them, before they are wrapped together.

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And here are the peach flower! Beautiful piece of art, isn't it?

This award winning chef is the founder of the research group more than three decades ago, in 1982. Among the awards she has received were Chiba Prefecture Cultural Achievement Award (千葉県文化功労賞受賞), NHK Kanto-Koshinetsu Broadcasting Culture Award (関東甲信越放送文化賞) and Local Culture Achievement Award (地方文化功労賞) by the Ministry of Education (文部科学省). 
 
Ryuzaki sensei is also a writer and has published several recipe books connected to creative futomaki in her efforts to aspire and promote the art and techniques of futomaki-making not only to the younger generations in Japan, but also to foreigners. For more information about the recipes, you can take a look from this link (Japanese only).

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And finally, it was time for us to try out making the futomaki-zushi. These two girls seem to be having real fun making their roses hahaha! (photo credit: Masataka Ishizaki).

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Ozawa sensei showing us the secret technique to roll the bamboo mat while making the petal (photo credit: Masataka Ishizaki).

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With my huge hands, it was not easy to hold on the bamboo mat and making sure it doesn't drop. Damn stress I tell you lol! (photo credit: Masataka Ishizaki).

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The final stage of inserting the remaining white sushi rice before wrapping them together (photo credit: Masataka Ishizaki).

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And someone was too excited when she found out that her sushi roll can be used as a binocular haha! (photo credit: Masataka Ishizaki).

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Here is my first ever futomaki-zushi. Not bad for a first-timer, eh?

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My group members with our masterpieces. We were glad that our peach flower didn't turn out to be some other flowers lol!

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And not forgetting, a photo with Ryuzaki sensei. She is a nice and friendly person, but not during the class 'coz she is quite scary and strict when she gets serious haha!

The Chiba Kun Ambassadors were divided into two groups and we were given two motif to choose from - rose or peach flower. Looking at the examples, most of us thought it would be simpler to make peach flower. When Ryuzaki sensei performed the demonstration, it was only then we were told that peach flower is one of the most difficult motif to make. Those who had picked the peach flower, including myself just looked at each other and said, "Alamak! Bad choice!" hahaha!

The basic rolling process can take some time to master, but is not particularly difficult. According to Ryuzaki sensei, she has taught at elementary schools and if those kids can do it, there should not be any problems for us to rolled out our own futomaki. One of the most important tools in making futomaki is the sushi mat, which is made up of bamboo slats woven together into a flexible surface. There are two kinds of sushi mat prepared for us, one the normal size and the other a slightly bigger one.

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At the end of the class, each sensei had a special session for us, making different kinds of futomaki-zushi for us to see (photo credit: Ayako Uchiyama).

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Ogawa sensei who was in-charge of our table made cherry blossom (sakura) tree motif.

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And here is the final piece of art.

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Butterfly motif from the table next to us.

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Here is the collection of the futomaki-zushi made by the amazing chefs.

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The completed masterpieces from our table. Futomaki-zushi, is indeed a custom where various pickles, rice, egg, and seaweed are carefully rolled together
to make intricate and beautiful designs

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After a long class, it was lunch time. Main was the futomaki-zushi we made, accompanied with special soup made by the chefs.

The first step usually involves putting the nori directly on the mat, and will then cover nearly the entire surface with prepared sushi rice. The other ingredients, cut into thin strips, are placed on top of the rice. Most of the time, these ingredients are stacked in the center and do not take up the entire surface area.

When everything is in place, the chef will create the roll by slowly folding the bamboo mat inwards. This movement causes the nori to fold over onto itself from one edge to the next. The end result is a thick log that should hold itself together. Chefs sometimes present the futomaki as a single whole like this, but more commonly will slice it into individual rounds. Each round contains a small taste of all of the ingredients that were stacked on top of the rice.

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While I was busy doing the dishes, someone came to me to try and claim that she is taller than me. 
Well, she was almost there haha! (photo credit: Gina Rivera)

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Finally, a group photo with the chefs and Chiba Kun Ambassadors.

Many of the world's best sushi chefs pride themselves on the artistry and care that goes into their rolls. Traditional Japanese cooking encourages chefs, whether professional or amateur, to carefully choose their ingredients to create meals with a balance of salty, sweet, tangy, and sour. In many ways, futomaki is a perfect way to showcase this balance. Cooks will choose vegetables and fish that both look good and taste good together.

Very serious cooks may prepare their rolls to create images in the final sliced products. Arranging vegetables carefully can lead to sliced pieces that seem to hold the picture of a flower or a sunrise, for instance. It is also common for mothers to make ones for their children that seem to contain smiling faces or cute animals. There is a lot of room for creativity with this particular type of sushi.

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 Ishikawa-san, the Director of Planning Department of International Division of Chiba Prefectural Government, was there to join us 
during the sushi-making classroom as well (photo credit: Masataka Ishizaki).

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  Listening to the presentation about tourism in Chiba prefecture by Suzuki-san (photo credit: Masataka Ishizaki).

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 Sharing my experience with the new and fresh ambassadors. We also exchanged ideas and opinions 
 among ourselves during this session (photo credit: Masataka Ishizaki).

After the futomaki-zushi class, we had a opinion exchange session among ourselves. This session was to discuss new ways that we think can further improve this Chiba Kun Ambassador project. We also had the privilege to listen to a short presentation from Suzuki-san from the Tourism Board of the Chiba Prefectural Office.

During this session, I was requested to give a short talk about my experiences from the last three year,  as I have been a Chiba Kun Ambassador for the past three years. It was indeed an honour to be given such opportunity to talk to the other ambassadors that come from different parts of the world. 

Next up would be our second tour end of September. A sneak hint from this tour - we would be visiting the hot springs! Bet that would be super exciting! So, stay tuned for more updates!

Wednesday, July 31, 2013

Tojo-tei House Of Tokugawa Akitake

"Life is like unto a long journey with a heavy burden. 
Let thy step be slow and steady, that thou stumble not."

Tokugawa Ieyasu,
founder and first shogun of the Tokugawa shogunate of Japan



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The stairs that leads to the Tojo-tei House.

Our final stop of the first Chiba Kun Ambassador tour was to Tojo-tei House (戸定邸) in Matsudo city. In 1867, when the last Edo Shogun returned political power to the emperor, the Edo era ended its 265-year history. A new era began, all Samurai were gone, and the people in the Shogun family went into retirement, faded into obscurity. It is unknown what happened to the shogun family thereafter, but visiting one of their residences tells the story of their quiet life after the storm. 

Tojo-tei House was build in 1884 as a former residence of Tokugawa Akitake (徳川昭武). The architecture of this residence was based on the design of the lord's residences in the Tokugawa Period and the mode in the early Meiji Period. Akitake was a brother of the last shogun Tokugawa Yoshinobu (徳川慶喜), and was supposed to be the shogun after Yoshinobu retired. However, Edo era did not last by the time.

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The entrance to the house.

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There are plenty of greens surrounding the place.

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And not forgetting, the beautiful hydrangea decorates the surrounding as well.

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One of the volunteer guide, who led us around the house, explaining in details about the history of the house.

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Almost the whole structure of this house is made of wood.

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A small garden in the middle of the house.

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A lamp decorates the house garden.

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It is interesting to note that this is the only house by Tokugawa that is opened to the public.

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One of the very few section of the house which is made of concrete to store the treasure box.

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The main hall, which is specially made for guests.

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Another angel of the spacious hall.

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Beautiful lamp hanging from the ceiling.

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A flower motif carved on the wall.

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A closer look at the beautiful carving.

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As for this one, it represents the motif of Eurasian tree sparrow.

The story is that Akitake, at the age 13, left for Paris to attend the Paris International Exhibition held in 1867 as the representative of the Shogun, and also visited several European countries. During the time he was away, the Edo-era ended. Instead of being the last Shogun, Akitake became the last lord of the Mito clan upon returning to Japan.

Akitake retired at the age of 30 and lived the rest of his days in comfort, hunting, taking photographs, and making ceramics in this residence - Tojo-tei, which was named after the location Tojo. This wooden house has designed in styles of Japanese architecture established in both Edo and Meiji period. The interior decoration is so simple, but only precious architectural materials are used. Although this house had large earthquakes in the past, no damage was found. The recent 3-11 earthquake was a testament to this, as the house stood firm against the fierce tremor that hit the Tohoku and Kanto region.

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The beautiful garden of Tojo-tei House.

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Another angle of the garden.

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Taking a gaze of the wonderful architecture of the house from the garden is a great experience, and it is only possible on the 10th of every month, when the lawns of the garden is opened to the public.

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It is possible to see Mount Fuji from this house, especially in the winter, and this house is selected as one of the 100 spots in Kanto region 
to see the famous symbol of Japan.

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Not just Mount Fuji, because the tallest structure in Japan - Tokyo Sky Tree is visible as well!

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A unique tree - a tree within a tree. Apparently, there are three kinds of trees that grow from the same spot.

The minimalism or simplicity chic found in this structure is the feature of traditional Japanese architecture, that creates the beauty of form. The garden behind the house is also an important element as it was designed so that seasonal followers can be enjoyed viewing from rooms.

The garden, with undulating lawn and clipped shrubs, gives us an early and good example blending of Japanese and Western elements in that Meiji Period. Tojo-tei House was registered as a place of scenic beauty in the Chiba Prefecture in 1986, and also an important cultural property in 2006.

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A very antique lamp, which reminds me of the lamp in the toilet of my grandma's house lol!

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Yae-no-ma (八重ノ間), which has a very unique window in the shape of a full moon.

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 Another section of the house, which is now owned by Matsudo City and is designated as an important cultural asset of Japan.

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One of the main bathroom of the house.

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A closer look at the water catchment place.

Our guide was a local volunteer, who was amicable and ready to answer any questions we have about the history of this place. Apparently, this house was greatly unaffected by the Tohoku earthquake that shook Japan on that faithful afternoon of March 11, 2011. There were even some people who came here to take shelter at that time, because it was a safe place.

Visiting old Japanese houses is getting popular among Japanese of late, both young and old alike. If you are interested in visiting Tojo-tei or this types of tourist spots, it is recommended to visit in the morning before getting crowded, so that you can enjoy the peaceful atmosphere, would be like Zen world.

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Group photo at the main entrance to Tojo-tei House at the end of the tour (photo credit: Tooru Ishikawa).


|| INFORMATION ||
Tojo-tei House
Opening hours: 09:30 - 17:00 (last admission 16:30)
Closed: Monday (Yuesday if Monday falls on a national holiday), Dec 28 - Jan 4. Also occasionally closed for exhibition preparation.
Admission rates:
For the museum AND the House: ¥240 (
¥200) (Adults), ¥160 (¥120) Concessions *;
For the museum OR the House:
¥150 (¥120) (Adults), ¥100 (¥80) Concessions *;
* College and High School. (Group rates available for a group of 20 or more)
.
Address:
714-1 Matsudo, Matsudo-shi, Chiba Prefecture, 271-0092, Japan.

Tel:
04-7362-2050  Fax: 04-7361-0056
Website: http://www.city.matsudo.chiba.jp/tojo/ (Japanese)
Access: Train: Matsudo station east exit (松戸駅東口) on JR Jōban Line (JR常磐線): 10 minutes walk.